02/25/2006
http://www.telegram.com/apps/pbcs.dll/article?AID=/20060224/NEWS/602240585/1009/SPORTS
Jerry Karaska said he spent nearly 30 years on the Clark University graduate faculty teaching a little geography and doing some research.
“But, mostly, I fished,” he demurred, explaining why he was helping to man a promotional booth for the American Museum of Fly Fishing at the Marlboro fly fishing show. Since his retirement from Clark in 1998, Karaska has been the volunteer librarian at the museum, making a seven-hour round trip from Worcester to the museum in Manchester, Vt., twice a month. He convinced his wife, Mary Claire, to make the trip with him, and she is now the volunteer assistant librarian. “For me, next to being on a stream, the greatest thing is being with books or old fishing stuff,” Karaska said. “They had no one who was taking care of the books.”
Now, fly fishermen are more likely to understate than spin fishermen, however, as a group, fishermen are not generally known for modesty. I suspected there was more to Karaska. For one thing, I recently visited the museum, located adjacent to the newly expanded and very upscale Orvis store in Manchester. The library is huge — more than 3,000 cataloged volumes of fly-fishing literature — well organized, beautifully appointed and full of easy-to-find gems.
“He’s the driving force in our library,” said William Bullock, the museum’s executive director. “We appreciate so much what he’s doing as a volunteer. He and his wife make this long trip up, it’s wonderful. We rely so much on our volunteers.” About Karaska’s “mostly fishing” while he was at Clark: “He’s an esteemed professor emeritus, whose work in urban geography at Clark included pioneering work with the first University Park Neighborhood Planning Coalition,” said Jane Salerno, the university’s assistant director of media relations.
Karaska was also instrumental in Clark’s entering into a cooperative agreement with the U. S. Agency for International Development that enabled faculty and students to conduct field research and offer expert scholarly assistance around the world. He was also editor of the journal “Economic Geography”. The museum is a natural fit for Karaska. It got its start in 1968, and in the early years, largely relied on Orvis Co. for space, funding and staff support.
Eventually it grew, requiring its own space and professional museum staff. In June, the museum officially christened its new building. Ernest Schwiebert, a museum trustee and author of several valued books on fly fishing including “Matching the Hatch,” best articulated why Karaska and others have been willing to contribute to its development. “Our little museum has become an important institution, not merely as a repository of dead artifacts from the past,” Schwiebert said in his keynote speech reprinted in the fall issue of the museum’s journal.
“Our purpose cannot be warm-in-the-tummy feelings about the past, because such feelings are largely passive. The museum at its apogee can provide the scholarship to separate the great artisans and conceptual thinkers of our sport from those who are merely colorful and popular. And its artifacts are not entombed when they become unforgiving yardsticks of excellence for those future artisans and writers who entertain lofty aspirations of their own.”
The museum now has the world’s largest collection of fly-angling art and artifacts. You can see rods and flies used by Ernest Hemingway, Ted Williams, and President Dwight Eisenhower, among a collection that includes more than 1,200 rods, 1,000 reels and 20,000 flies. The works of America’s best fly tiers — Theodore Gordon, Ray Bergman, Edward Hewitt, Mary Orvis Marbury, and others — and rod builders are also on display. Naturally, the museum has a store — The Brookside Angler — where you can buy gifts and collectibles. In addition to his duties as librarian, Karaska is also helping with an upcoming fall exhibit that will feature the works of American Impressionist Frank W. Benson (1862-1951) and landscape and sporting artists Ogden Pleissner (1905-1983).
The museum has recently acquired the entire collection of the Tihonet Club (1891-mid-1990s), an old-time gentleman’s fly fishing club located in a cranberry bog in Wareham, whose members included Benson. “Benson was a man who just loved congeniality; he never went fishing alone. Mostly he fished with his buddies, all were fellow artists from the Boston area and they did art that hung on the club walls,” Karaska said. Benson is also known for his portraits of women, particularly those he painted of his wife and daughters. One of Benson’s most famous paintings — “Portrait Of My Daughters” — done in 1907 can be viewed at the Worcester Art Museum.
Three other famous Benson portraits are also currently on display at the museum. The Worcester museum actually has 18 of Benson’s works, including paintings, prints, and etchings, according to Allison Berkeley, manager of marketing and public relations. Currently not on view are prints of flying Eider ducks, watercolors of quail and ducks, and canoeists on the Kedgwick River, and a series of etchings of chicadees — dry point on cream laid paper.
“The people at the Worcester Art Museum are just wonderful,” Karaska said. “I took to them some of Benson’s art that had been hanging on the fishing club wall for 75 years. The stuff was all crinkly and damaged, but the museum people sat down with me, and we went over it with their special equipment to help determine how it could be restored.”